Audient iD14 High Performance USB Audio Interface

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$ 288.28

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Description

AUDIENT ID14 HIGH PERFORMANCE USB AUDIO INTERFACE

 

iD14 delivers the audio performance of a large format console in a compact and elegant desktop package. iD14 provides a pair of world-class Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I and the revolutionary ScrollControl. With its versatile feature set and intuitive layout, iD14 will become the hub of your studio in no time.

 

Audient Console Mic Pres

iD14 Straight 3Qtr

The only the only company that use the same Class-A mic pre design throughout our entire product range, whether you’re in the studio with an Audient console or on the road with iD14, you’re always guaranteed the same world class Audient sound.

 

Pristine Converter Technology

iD14 provides you with high performance AD-DA converters. Quality in the analogue stages of design comes from years of experience as analogue console designers, and when coupled with outstanding converter technology it enables you to hear audio as it’s supposed to sound. The importance of converters should never be underestimated. Experience audio the Audient way.

Dynamic Range IconAsset

Dynamic Range

Converter IconAsset

Why Do Converters Matter?

 

Be Creative

 

Plug & Play

As well as offering you 2 channels of mic pre, iD14 has a harmonically rich JFET D.I input. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine straight in and start recording instantly.

Lead IconAsset 7

JFET D.I

Amp IconAsset 8

Designed to replicate the input stage of a classic valve amplifier

Guitar IconAsset 9

Perfect for guitar and bass!

 

Scroll Control

iD14 ScrollControlCutout2272x1735 1

Get hands on control of your software with iD14’s ScrollControl. With a touch of a button iD14’s volume encoder becomes a virtual scroll wheel that allows you to adjust DAW hosts, plug-in parameters, iD14’s mixer app and even scroll through your iTunes library – just like you’re adjusting a piece of hardware. Wherever your mouse pointer hovers, the iD knob can scroll to control!

 

Expand

Need to track drums? No problem! As your system grows, iD14 can be expanded via the optical input connector, supporting both ADAT or S/PDIF. Enabling you to expand up to ten inputs via an eight-channel mic pre, such as the ASP800.

 

Console Style Monitor Control

When not using the virtual scroll wheel, the iD button can be assigned to control iD14’s monitoring features. Following in the footsteps of it’s critically acclaimed big brother iD22, we’ve still included DIM, CUT, Polarity Reverse, Mono Sum, Talkback and Cue Mix monitoring, all of which can be assigned to the iD button.

 

Intuitive Software

GUI SoftwareV21

Discover just how simple it can be

We understand the need to keep things simple and iD14’s mixer app was designed with that in mind. Whether you’re creating low latency cue mixes or utilising the flexible monitor control, iD14 tightly integrates the hardware and software making the recording process easy. Enabling you to concentrate on what’s really important – the music.

 

Windows 10 & MacOS High Sierra Compatible

Windows 10 Icon macos HighSierra

 

Built to last

iD4 Composite

iD14 has been designed to last, from its all-metal construction, hand finished aluminium knobs and high grade component selection, iD14 will stand up to countless late nights in the studio and days on the road.

 

MT Logo

AA Award

FM Award

Click to read review

NAMM Tec Award

Beat Award

 

Features

  • 10-in/4-out USB Audio Interface
  • 2 x Class-A Audient Console Mic Preamplifiers
  • High Performance Burr Brown AD/DA Converters
  • iD ScrollControl Mode
  • 1 x Discrete JFET Instrument Input
  • Main Speaker Output
  • Independent Class-AB Headphone Output
  • Full Monitor Control Functionality (software controlled)
  • ADAT Input for Expandability
  • Low Latency DSP Mixer
  • USB2.0 Bus Powered
  • 24bit/96khz
  • All-Metal Enclosure
  • Over £500 worth of plugins and software with ARC?

 

Specification

MICROPHONE PREAMPLIFIER:

(measurement includes ADC signal path)

 

MIC GAIN: 0 to 66 dB (inc. +10 dB software boost)

LINE GAIN: -10 to 56 dB (-10dB hardwired line pad)

PHANTOM POWER: 48V ±4V @ 10mA/Channel (12VDC only)*

MIC EIN: <-127.0 dBu

CMRR: >80 dB @ 1kHz

MAXIMUM INPUT LEVEL: +12 dBu (0 dBFS digital Maximum)

INPUT IMPEDANCE (Mic): 2.8 kΩ Balanced

INPUT IMPEDANCE (Line): >8kΩ Balanced

FREQUENCY RESPONSE: ±0.1 dB 20Hz to 22kHz @ min. gain

±1.0 dB 20Hz to 22kHz @ max. gain

CROSSTALK: <-90 dBu

THD+N @ 0dBu (1kHz): 0.0025% (-92 dBu)

SNR: 96 dB un-weighted, 99 dB A-weighted

XLR Combi Female Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield)

1/4″ TRS Jack Tip (Hot), Ring (Cold) & Sleeve (Shield)

 

D.I (Channel 1):

D.I GAIN: 0 to 66 dB (inc. +10 dB software boost)

MAXIMUM INPUT LEVEL: +9 dBu (0.6% THD typical)

INPUT IMPEDANCE: >500kΩ Unbalanced

FREQUENCY RESPONSE: ±0.1 dB 20Hz to 22kHz

THD+N @ 0dBu (1kHz): <0.04% all musical 2nd and 3rd harmonics

SNR: 95 dB un-weighted, 98 dB A-weighted

1/4” JACK: TIP (Hot) & SLEEVE (Shield)

 

ANALOGUE TO DIGITAL CONVERTER (ADC 1 & 2):

(measured sans microphone preamplifier under AES-17)

 

MAXIMUM INPUT LEVEL: +12 dBu (0 dBFS digital maximum)

DIGITAL REFERENCE LEVEL: +12 dBu = 0 dBFS

FREQUENCY RESPONSE: ±0.1 dB 10Hz to Fs/2 (flat to nyquist)

CROSSTALK: -100 dBu @ 1kHz & 10kHz

THD+N @ -1dBFS (1kHz): <0.002% (-94 dB)

THD+N @ -6dBFS (1kHz): <0.0015% (-97 dB)

DYNAMIC RANGE: 113 dB un-weighted

116 dB A-weighted

 

DIGITAL TO ANA​LOGUE CONVERTER (DAC 1&2):

(measured under AES-17 at line outputs 1&2)

 

MAXIMUM OUTPUT LEVEL: +12 dBu (0 dBFS digital maximum)

DIGITAL REFERENCE LEVEL: +12 dBu = 0 dBFS

OUTPUT IMPEDANCE <100Ω Balanced

FREQUENCY RESPONSE: ±0.1 dB 10Hz to Fs/2 (flat to nyquist)

CROSSTALK: <-105 dBu @ 1kHz & 10kHz

THD+N @ -1dBFS (1kHz): <0.003% (-90.5 dB)

DYNAMIC RANGE: 114 dB un-weighted

117 dB A-weighted

1/4″ TRS Jack Tip (Hot), Ring (Cold) & Sleeve (Shield)

 

HEADPHONE OUTPUT (DAC 3&4):

(measured under AES-17 at phones output)

 

MAXIMUM OUTPUT LEVEL: +12 dBu

DIGITAL REFERENCE LEVEL: +12 dBu = 0 dBFS

VOLTAGE GAIN: +6 dB (optimised for loudness)

OUTPUT IMPEDANCE: <30 Ω Balanced

FREQUENCY RESPONSE: ±1.0 dB 10Hz to Fs/2 (load dependant)

CROSSTALK: -100 dBu @ 1kHz & 10kHz

THD+N @ -1dBFS (1kHz): <0.002% (-94 dB)

DYNAMIC RANGE: 108 dB un-weighted

111 dB A-weighted

MAX LEVEL INTO 30ohms: +4 dBu, 0.005% THD+N, Power: 101mW

MAX LEVEL INTO 60ohms: +5 dBu, 0.004% THD+N, Power: 64mW

MAX LEVEL INTO 600ohms: +13 dBu, 0.0025% THD+N, Power: 39mW

1/4” JACK: TIP (Left), RING (Right) & SLEEVE (Shield)

 

DIGITAL INPUT:

8-CHANNEL ADAT: 44.1kHz to 48kHz

4-CHANNEL ADAT: 88.2kHz to 96kHz SMUX

STEREO S/PDIF / TOSLINK 44.1kHz to 96kHz (Stereo)

 

USB 2.0 HIGH SPEED:

BUS POWER: 500mA @5V System Limit

425mA @5V Maximum (No 48V)

(Phantom power only available on 12VDC)*

No. of INPUT CHANNELS: 10 (2 Analogue, 8 Digital)

No. of OUTPUT CHANNELS: 4 (4 Analogue)

DSP MIXER LATENCY: ROUND TRIP (in-to-out)

44.1kHz 1.660ms

48.0kHz 1.531ms

88.2kHz 0.844ms

96.0kHz 0.771ms

POWER SUPPLY:

12VDC Centre Positive – 1.25A (required for full 48V Phantom Power)*

* iD14 requires a lot of power for class leading converters and class-A microphone preamplfiers. We could not beat the laws of physics so an external supply is required for 48V phantom power. Your microphones will thank you when they get enough voltage!

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